Berthe Morisot
Berthe Morisot's Oil Paintings
Berthe Morisot Museum
January 14, 1841 -- March 2, 1895, French impressionist.

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Here are all the paintings of CERUTI, Giacomo 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
5992 Annunciation klj CERUTI, Giacomo Annunciation klj c. 1644 Oil on canvas, 74,3 x 54,6 cm Ferens Art Gallery, Hull
28923 Boy with a  Basket of Fish CERUTI, Giacomo Boy with a Basket of Fish mk65 Oil on canvas 22 1/16x28 3/4in Pitti,
5988 Boy with a Basket CERUTI, Giacomo Boy with a Basket c. 1745 Oil on canvas, 130 x 95 cm Pinacoteca di Brera, Milan
6004 Cardinal Richelieu mjkh CERUTI, Giacomo Cardinal Richelieu mjkh c. 1637 OiI on canvas, 260 x 178 cm National Gallery, London
5989 Evening at the Piazza jj CERUTI, Giacomo Evening at the Piazza jj c. 1730 Oil on canvas, 210 x 298 cm Museo Civico d'Arte Antica, Palazzo Madama, Turin
5993 Ex Voto CERUTI, Giacomo Ex Voto 1662 Oil on canvas, 165 x 229 cm Mus??e du Louvre, Paris
5995 King Louis XIII kj CERUTI, Giacomo King Louis XIII kj 1655 Oil on canvas, 108 x 86 cm Museo del Prado, Madrid
6001 Portrait of a Man kjg CERUTI, Giacomo Portrait of a Man kjg 1650 Oil on canvas, 91 x 72 cm Mus??e du Louvre, Paris
6000 Portrait of Bishop Jean-Pierre Camus ,mnk CERUTI, Giacomo Portrait of Bishop Jean-Pierre Camus ,mnk 1643 Oil on canvas, 73,2 x 59,4 cm Museum voor Schone Kunsten, Ghent
5994 Portrait of Henri Groulart klh CERUTI, Giacomo Portrait of Henri Groulart klh 1654 Oil on canvas, 92,5 x 75,5 cm Museum of Fine Arts, Budapest
5999 Portrait of Omer Talon jbhj CERUTI, Giacomo Portrait of Omer Talon jbhj 1649 Oil on canvas, 225 x 161,6 cm National Gallery of Art, Washington
6002 Portrait of Robert Arnauld d'Andilly lkhk CERUTI, Giacomo Portrait of Robert Arnauld d'Andilly lkhk 1667 Oil on canvas, 78 x 64 cm Mus??e du Louvre, Paris
6007 Still-Life with a Skull  jg CERUTI, Giacomo Still-Life with a Skull jg Oil on panel, 28 x 37 cm Mus??e de Tess??, Le Mans
51219 Still-Life with Hen, Onion and Pot CERUTI, Giacomo Still-Life with Hen, Onion and Pot 1750s Oil on canvas
45523 Style life with Salami CERUTI, Giacomo Style life with Salami mk186 around 1750 Milans, Pinacoteca di Brera
5991 The Annunciation kljk CERUTI, Giacomo The Annunciation kljk Apart from Vouet, Champaigne was the most important painter active in Paris in the middle years of the 17th century. He was born and trained in Brussels. He arrived in Paris in 1621. Throughout his career he made many official commissions, for monasteries, for the Church, and for Louis XIII. He collaborated with Nicolas Poussin in decorating the Luxembourg Palace, then worked for the queen mother, Marie de Medicis, for Louis XIII, and after 1635 primarily for the king's chief minister, Cardinal Armand Richelieu, for whom he decorated the Palais Royal, the dome of the Sorbonne, and other buildings. His art has not been studied in depth until recently, and has undergone radical reassessment: instead of being seen as an exponent of dry Classicism, he is now seen to epitomize the whole epoch. As a portraitist, his vivid depictions of Cardinal Richelieu show how he was able to seize on the essential characteristics of the autocrat, while his portraits of other, now unidentifiable contemporaries are much more sympathetic. In the first part of his career, as a painter of religious pictures, he executed a number of large altarpieces that shows his Flemish origin. This is especially true of such Rubens-inspired works as the Adoration of the Shepherds in the Wallace Collection, London. Later in life, Champaigne changed his art dramatically when he came under the influence of the Jansenist movement. His paralysed daughter was miraculously cured in the Jansenist nunnery of Port-Royal, and to mark the event Champaigne painted his celebrated but untypical Ex-Voto (Louvre, Paris). Champaigne's art was much more varied than is usually thought, and his achievement spans almost fifty years, from the mid-1620s to his death in 1674. He was one of the fourteen founder-members of the Academy in 1648.
5998 The Miracles of the Penitent St Mary jhj CERUTI, Giacomo The Miracles of the Penitent St Mary jhj 1656 Oil on canvas, 219 x 336 cm Mus??e du Louvre, Paris
5996 The Penitent Magdalen jgh CERUTI, Giacomo The Penitent Magdalen jgh Oil on canvas, 115,5 x 87 cm Museum of Fine Arts, Houston
6003 The Presentation of the Temple kjgj CERUTI, Giacomo The Presentation of the Temple kjgj 1648 Oil on canvas, 257 x 197 cm Mus??es Royaux des Beaux-Arts, Brussels
6006 The Supper at Emmaus khk CERUTI, Giacomo The Supper at Emmaus khk Oil on canvas, 217 x 226 cm Museum voor Schone Kunsten, Ghent
6005 Triple Portrait of Richelieu kjj CERUTI, Giacomo Triple Portrait of Richelieu kjj c. 1640 Oil on canvas, 58 x 72 cm National Gallery, London

CERUTI, Giacomo
Italian Painter, 1698-1767 Italian painter. He was one of a group of artists working in Bergamo and Brescia who observed reality with an unusual freshness and directness. He painted religious subjects and portraits but was most distinguished as a painter of genre and low-life scenes. These included many pictures of beggars and vagabonds ( pitocchi), hence his nickname 'il Pitocchetto'. He married in Milan in 1717 but settled in Brescia in 1721. In 1723 he received a horse in payment for three altarpieces and four frescoes for the parish church of Rino di Sonico; they were mediocre works executed in an unadventurous blend of Lombard and Venetian traditions derived from contemporary Venetian painters working in Brescia. Ceruti's early portraits and genre scenes are less conventional and more intensely felt; in 1724 he signed and dated the strikingly naturalistic portrait of Giovanni Maria Fenaroli
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