Berthe Morisot
Berthe Morisot's Oil Paintings
Berthe Morisot Museum
January 14, 1841 -- March 2, 1895, French impressionist.

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Here are all the paintings of DOLCI, Carlo 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
6414 Magdalene df DOLCI, Carlo Magdalene df 1660-70 Oil on canvas, 73 x 56 cm Galleria Palatina (Palazzo Pitti), Florence
6410 Portrait of Ainolfo de  Bardi DOLCI, Carlo Portrait of Ainolfo de Bardi 1632 Oil on canvas, 149,5 x 119 cm Galleria Palatina (Palazzo Pitti), Florence
6415 Salome with the Head of St John the Baptist dfg DOLCI, Carlo Salome with the Head of St John the Baptist dfg 1665-70 Oil on canvas, 122,6 x 96,5 cm Royal Collection, Windsor
6416 Self-Portrait dgd DOLCI, Carlo Self-Portrait dgd 1674 Oil on canvas Galleria degli Uffizi, Florence
6411 St Catherine Reading a Book sd DOLCI, Carlo St Catherine Reading a Book sd Oil on canvas Residenzgalerie, Salzburg
6412 St Cecilia at the Organ dfg DOLCI, Carlo St Cecilia at the Organ dfg 1671 Oil on canvas, 96,5 x 81 cm Gemäldegalerie, Dresden
6413 The Guardian Angel dfg DOLCI, Carlo The Guardian Angel dfg 1675 Oil on canvas Museum of the Cathedral, Prato

DOLCI, Carlo
Italian Baroque Era Painter, 1616-ca.1686 was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci.His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Saviour wearing the Crown of Thorns. In 1682, when he saw Giordano,
Berthe Morisot
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