Berthe Morisot
Berthe Morisot's Oil Paintings
Berthe Morisot Museum
January 14, 1841 -- March 2, 1895, French impressionist.

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Here are all the paintings of Filippino Lippi 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
55970 adoration of the child Filippino Lippi adoration of the child mk247 1483,tempera on wood ,37.75x28 in,96x71 cm,uffizi,florence,ltaly
29150 Adoration of the Christ Child Filippino Lippi Adoration of the Christ Child mk65 Oil on copper transferred from panel 35"
94667 Adoration of the Magi Filippino Lippi Adoration of the Magi 1496 Type Oil on panel Dimensions 258 cm x 243 cm (102 in x 96 in) cyf
97968 Allegory Filippino Lippi Allegory circa 1498(1498) Medium oil on panel cyf
29133 Annunciation Filippino Lippi Annunciation mk65 Tempera on panel 14x20"
94656 Apparition of the Virgin to St Bernard Filippino Lippi Apparition of the Virgin to St Bernard 1480 Type Oil on panel Dimensions 210 cm x 195 cm (83 in x 77 in) cyf
52316 Assumption and Annunciation Filippino Lippi Assumption and Annunciation 1489-91
52317 Crucifixion of St Philip Filippino Lippi Crucifixion of St Philip 1502 Fresco Strozzi Chapel
2548 Disputation with Simon Magus Filippino Lippi Disputation with Simon Magus Brancacci Chapel, Florence
2554 Madonna and Child Filippino Lippi Madonna and Child 1486
80450 Madonna and Child Filippino Lippi Madonna and Child oil, and gold on wood painting by Filippino Lippi, ca. 1485, The Metropolitan Museum of Art Date ca. 1485 cyf
29764 Madonna and Child Enthroned with SS.John the Baptist,Victor,Ber-nard,and Zenbius Filippino Lippi Madonna and Child Enthroned with SS.John the Baptist,Victor,Ber-nard,and Zenbius mk67 Tempera on panel 139 3/4x100 3/8in
77021 Madonna and Child, tempera Filippino Lippi Madonna and Child, tempera Madonna and Child, tempera, oil, and gold on wood painting by Filippino Lippi, ca. 1485, The Metropolitan Museum of Art. cjr
40206 Madonna with the Child and Two Angels Filippino Lippi Madonna with the Child and Two Angels mk156 1456 Tempera on wood 95x62cm
2456 Portrait of an Old Man Filippino Lippi Portrait of an Old Man c1485 Galleria degli Uffizi, Florence
2546 Portrait of an Old Man   111 Filippino Lippi Portrait of an Old Man 111 c1485 Galleria degli Uffizi, Florence
23348 Portrait of an old Man (nn03) Filippino Lippi Portrait of an old Man (nn03) c 1485 Fresco 47 x 38 cm 18 1/2 x 15 in Galleria degli Uffizi Florence
2550 Saint Jerome Filippino Lippi Saint Jerome 1485 Galleria degli Uffizi, Florence
52321 Scene from the Life of St Thomas Aquinas Filippino Lippi Scene from the Life of St Thomas Aquinas 1489-91
26721 Self-Portrait Filippino Lippi Self-Portrait mk52 c.1485 Fresco on ceramic tile,dimensions of whole 50x31cm Uffizi,Florence
97970 St Jerome Filippino Lippi St Jerome 1490s Medium oil on panel cyf
52319 St John the Evangelist Resuscitating Druisana Filippino Lippi St John the Evangelist Resuscitating Druisana 1502 Fresco Strozzi Chapel
2455 St Paul Visits St.Peter in Prison Filippino Lippi St Paul Visits St.Peter in Prison Brancacci Chapel, Florence
2549 St Peter Freed from Prison Filippino Lippi St Peter Freed from Prison Brancacci Chapel, Florence
52269 St Stephen is Born and Replaced by Another Child Filippino Lippi St Stephen is Born and Replaced by Another Child 1452-65 Fresco Duomo
58320 St. John Batista Filippino Lippi St. John Batista mk261 Florence 1498-1500 egg tempera in wood 136 x 56 cm
29761 St.john the Baptist Filippino Lippi St.john the Baptist mk67 Tempera on panel 51 15/16x21 5/8in
2552 The Adoration of the Child Filippino Lippi The Adoration of the Child 1463 Galleria degli Uffizi, Florence
2553 The Adoration of the Child Filippino Lippi The Adoration of the Child 1480's Galleria degli Uffizi, Florence
29762 The Adoration of the Child Filippino Lippi The Adoration of the Child mk67 Tempera on panel 37 13/16x27 15/16in
40972 The Adoration of the Infant Christ Filippino Lippi The Adoration of the Infant Christ mk159 1480s Tempera on copperplate,Transferred from panel
2556 The Adoration of the Kings Filippino Lippi The Adoration of the Kings National Gallery, London
38461 The adoration of the Konige Filippino Lippi The adoration of the Konige mk137 1496 oils on wood chalkboard 258x243cm Gallerial degli Uffizi, Florence
2551 The Adoration of the Magi Filippino Lippi The Adoration of the Magi 1496 Galleria degli Uffizi, Florence
29763 The Adoration of the Magi Filippino Lippi The Adoration of the Magi mk67 Tempera on panel 101 9/16x95 11/16in Uffizi,Gallery
2547 The Crucifixion of Peter Filippino Lippi The Crucifixion of Peter Brancacci Chapel, Florence
29765 The Deposition from the Cross Filippino Lippi The Deposition from the Cross mk67 Filippino Lippi and Pietro Perugino Tempera on panel 131 1/8x85 13/16in
39443 The Hl. Petrus in Rome Filippino Lippi The Hl. Petrus in Rome mk148 in the church Santa Maria del Carmine, Rome. Petrus u. Paulus fight with Simon Magus before emperor Nero (to the right), after the Petrusakten in the frame of the collection" golden legend" out of the 13.Jahrhundert.Linke Szene:s.S.178-179
39438 The Hl. Philippus and the dragon Filippino Lippi The Hl. Philippus and the dragon mk148 In this apokryphen legend, the apostle subdues the dragon in a Mars-temple and converts the followers of this heathen God
86881 The Intervention of Christ and Mary Filippino Lippi The Intervention of Christ and Mary Date second half of 15th century Medium Oil on wood Dimensions Height: 156.1 cm (61.5 in). Width: 146.7 cm (57.8 in). cjr
91652 The Intervention of Christ and Mary Filippino Lippi The Intervention of Christ and Mary second half of 15th century Medium oil on panel Dimensions Height: 156.1 cm (61.5 in). Width: 146.7 cm (57.8 in). cyf
42872 THe Virgin and Child with Saints Jerome and Dominic Filippino Lippi THe Virgin and Child with Saints Jerome and Dominic mk170 Circa 1485 oil on tempera on poplar 203.2x186.1cm
21225 The Vision of St Bernard (mk080 Filippino Lippi The Vision of St Bernard (mk080 c.1486 Tempera on wood, 210x195cm.Florence,Badia Fiorentina
29199 The Vision of St.Augustine Filippino Lippi The Vision of St.Augustine mk65 1460s Tempera and oil on panel 11 1/2x20"
2557 The Vision of St.Bernard Filippino Lippi The Vision of St.Bernard 1480's Badia, Fiesole
51771 The Vison of Saint Bernard Filippino Lippi The Vison of Saint Bernard nn09 mid-1480s Tempera on wood 210x195cm
20038 Three Scenes from the Story of Esther Mardochus (mk05) Filippino Lippi Three Scenes from the Story of Esther Mardochus (mk05) Wood cassone panel 19 x 52''(48 x 132 cm)Acquired by the Louvre in 1972
20037 Thtee Scenes from the Story of Virginia (mk05) Filippino Lippi Thtee Scenes from the Story of Virginia (mk05) Wood cassone panel 17 1/2 x 50''(45 x 127 cm)Campana Collection Rome entered the Louvre in 1863
53691 Tobias and angeln, probably Filippino Lippi Tobias and angeln, probably mk234 about 1480 32.5x23.5cm
2555 Tobias and the Angel Filippino Lippi Tobias and the Angel 1480 National Gallery of Art, Washington DC
52324 Torture of St John the Evangelist Filippino Lippi Torture of St John the Evangelist 1502 Fresco Strozzi Chapel, Santa Maria Novella
40203 Virgin with the Child and Scenes from the Life of St Anne Filippino Lippi Virgin with the Child and Scenes from the Life of St Anne mk156 c.1452 Tempera on wooden panel Tondo

Filippino Lippi
Italian 1457-1504 Filippino Lippi Galleries Born Filippo Lippi in Prato (Tuscany), the illegitimate son of the painter Fra Filippo Lippi and nun Lucrezia Buti, Filippino first trained under his father. They moved to Spoleto, where Filippino served as shop adjuvant in the construction of the Cathedral there. When his father died in 1469, he completed the frescos with Storie della Vergine (Histories of the Virgin) in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472, Botticelli also took him as his companion in the Compagnia di San Luca. His first works greatly resemble those of Botticelli's, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initially attributed to an anonymous "Amico di Sandro" ("Friend of Botticelli"). Eventually Lippi's style evolved into a more personal and effective one in the years 1480-1485. Works of the early period include: the Madonnas of Berlin, London and Washington, the Journeys of Tobia of the Galleria Sabauda in Turin, Italy, the Madonna of the Sea of Galleria dell'Accademia and the Histories of Ester. Together with Perugino, Ghirlandaio and Botticelli, Lippi worked on the frescoed decoration of Lorenzo de Medici's villa at Spedaletto. On December 31, 1482 he was commissioned to work on a wall of Sala dell'Udienza of Palazzo Vecchio in Florence (a work never begun). Soon after (probably in 1483-1484) he was called to complete Masaccio's decoration of Brancacci Chapel in the church of the Carmine, left unfinished by the artist's death in 1428 . Here he realized the Stories of Saint Peter on the following frescoes: Quarrel with Simon Magus in face of Nero, Resurrection of Teophilus' Son, Saint Peter Jailed, Liberation and Saint Peter's Crucifixion. The work on the Sala degli Otto di Pratica, in the Palazzo Vecchio, started on February 20, 1486. It is now in the Uffizi Gallery. In the same years Piero di Francesco del Pugliese asked him to paint the altarpiece with Apparition of the Virgin to St. Bernard, now in the Badia Fiorentina, Florence. This is Lippi's most popular picture: a composition of unreal items, with its very particular elongated figures, backed by a phantasmagorical scenario of rocks and almost anthropomorphic trunks. The work can be dated to the 1480-1486 years. Eventually he worked for Tanai de' Nerli in the Saint Spirit's Church. On April 21, 1487, Filippo Strozzi asked him to decorate the family chapel in Santa Maria Novella with the Stories of St. John Evangelist and St. Philip. He worked on this piece intermittently, only completing it in 1503, after the customer's death. The windows with musical themes, also designed by Filippino, were completed between June and July 1503. These paintings can be seen as a mirror of the political and religious crisis in Florence at the time: the theme of the fresco, the clash between Christianity and Paganism, was hotly debated in the Florence of Girolamo Savonarola. Filippino showed his characters in a landscape which recreated the ancient world in its finest details, showing the influence of the Grottesco style he had seen in his journey to Rome. He created in this way an "animated", mysterious, fantastic but also disquieting style, showing the unreality of something as a nightmare. In this way, Filippino portrayed ruthless executioners deformed by grim faces, who raged against the Saints. In the scene with St. Philip expelling a monster from the temple, the statue of the pagan god is a living figure which seems to dare the Christian saint. In 1488, Lippi moved to Rome, where Lorenzo de' Medici had advised Cardinal Oliviero Carafa to entrust him the decoration of the family chapel in Santa Maria sopra Minerva. These frescoes show a new kind of inspiration, quite different from the earlier works, but confirm his continued research on the themes of the Ancient era. Lippi finished the cycle by 1493. Lippi's return to Florence is variously assigned to the years going from 1491 to 1494 . Works of this period include: Apparition of Christ to Madonna (1493, now in Munich), Adoration of the Magi (1496, for the church of San Donato in Scopeto, now in the Uffizi), Sacrifice of Lacoön (end of the century, for the villa of Lorenzo de' Medici at Poggio a Caiano), St. John Baptist and Maddalena (Valori Chapel in San Procolo, Florence, inspired in some way to Luca Signorelli's art). He also worked outside of his mother-country, namely on the Certosa of Pavia and in Prato, where in 1503 he completed the Tabernacle of the Christmas Song, now in the City Museum; in 1501 Lippi realized the Mystic Wedding of St. Catherine for the Basilica of San Domenico in Bologna. Lippi's last work is the Deposition for the Santissima Annunziata church in Florence, which at his death in April 1504 was unfinished. He was so renowned that all the workshops of the city closed on the day of his burial.
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