Berthe Morisot
Berthe Morisot's Oil Paintings
Berthe Morisot Museum
January 14, 1841 -- March 2, 1895, French impressionist.

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Here are all the paintings of Pietro Antonio Rotari 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
69676 A Girl in a Blue Dress Pietro Antonio Rotari A Girl in a Blue Dress oil on canvas painting by Pietro Rotari , El Paso Museum of Art
69731 A Girl in a Red Dress Pietro Antonio Rotari A Girl in a Red Dress oil on canvas painting by Pietro Antonio Rotari, El Paso Museum of Art.
29343 Countess A.M. Vorontsova Pietro Antonio Rotari Countess A.M. Vorontsova MK65 oIL ONCANVAS 19 1/2X18"
76783 Maria Antonia of Bavaria Pietro Antonio Rotari Maria Antonia of Bavaria ca. 1755(1755) Oil on canvas 107 ?? 86 cm (42.1 ?? 33.9 in) cjr
80251 Maria Antonia of Bavaria Pietro Antonio Rotari Maria Antonia of Bavaria 1755(1755) Medium Oil on canvas Dimensions 107 x 86 cm (42.1 x 33.9 in) cyf
80864 Portrait of a Young Girl Pietro Antonio Rotari Portrait of a Young Girl 18th century Medium Oil on canvas Dimensions ? x cm cyf
77570 Portrait of a Young Girl, La Penitente Pietro Antonio Rotari Portrait of a Young Girl, La Penitente 18th century Oil on canvas cjr
84263 Portrait of Archduke Ernest of Austria Pietro Antonio Rotari Portrait of Archduke Ernest of Austria 1580 Medium Oil on canvas Dimensions 110.8 x 91.1 cm (43.6 x 35.9 in) cyf
83636 Portrait of Francesco Bartolomeo Rastrelli Pietro Antonio Rotari Portrait of Francesco Bartolomeo Rastrelli Date 18th century Medium Oil cyf
75753 Portrait of Grand Duchess Yekaterina Alexeyevna Pietro Antonio Rotari Portrait of Grand Duchess Yekaterina Alexeyevna 1761 Oil on canvas 60 ?? 48 cm (23.6 ?? 18.9 in) cjr
77522 Portrait of Grand Duchess Yekaterina Alexeyevna Pietro Antonio Rotari Portrait of Grand Duchess Yekaterina Alexeyevna Date 1761 (?) Medium Oil on canvas Dimensions 60 ?? 48 cm (23.6 ?? 18.9 in) cyf
78273 Portrait of Grand Duchess Yekaterina Alexeyevna Pietro Antonio Rotari Portrait of Grand Duchess Yekaterina Alexeyevna 1761 (?) Medium Oil on canvas Dimensions 60 x 48 cm (23.6 x 18.9 in) cyf
77921 Portrait of King Augustus III of Poland Pietro Antonio Rotari Portrait of King Augustus III of Poland 1755(1755) Oil on canvas 108 ?? 86 cm (42.5 ?? 33.9 in) cjr
79040 Portrait of Marie Kunigunde of Saxony (1740-1826), Abbess of Thorn and Essen, daughter of Augustus III of Poland Pietro Antonio Rotari Portrait of Marie Kunigunde of Saxony (1740-1826), Abbess of Thorn and Essen, daughter of Augustus III of Poland ca. 1755(1755) Oil on canvas cjr
77560 Princess Elisabeth of Saxe Pietro Antonio Rotari Princess Elisabeth of Saxe ca. 1755(1755) Oil on canvas 107 ?? 86.5 cm (42.1 ?? 34.1 in) cjr
92761 Queen Maria Josepha in Polish costume. Pietro Antonio Rotari Queen Maria Josepha in Polish costume. 1755(1755) Medium oil on canvas Dimensions 86 X 108 cm (33.9 X 42.5 in) cjr
83028 Self portrait Pietro Antonio Rotari Self portrait 1756 (?) Medium Oil cyf
29640 Sleeping Girl Pietro Antonio Rotari Sleeping Girl Oil on canvas, 106 x 84 cm
70528 Sleeping Girl Pietro Antonio Rotari Sleeping Girl Medium Oil on canvas Dimensions 106 x 84 cm

Pietro Antonio Rotari
Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg) Italian painter. His artistic career began as a youthful distraction, but his talent quickly became apparent, and he entered the studio of Antonio Balestra in Verona, remaining there until he was 18. He spent the years 1725-7 in Venice and then moved c. 1728 to Rome, where he stayed for four years as a student of Francesco Trevisani. Between 1731 and 1734 he studied with Francesco Solimena in Naples before returning to Verona, where he set up his own studio and school. His most notable early independent works are multi-figured altarpieces (e.g. the Four Martyrs, 1745; Verona, church of the Ospedale di S Giacomo), which emulate 17th-century Roman and Neapolitan works. However, he also studied the smaller, more intimate paintings of Roman Baroque artists, and these influenced his later works. He fell victim to the wanderlust that appears to have been endemic to 18th-century Venetian painters, and c. 1751 he travelled to Vienna, where he was able to study works by Jean-Etienne Liotard, whose clean pictorial smoothness impressed him. He later moved to Dresden
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