Berthe Morisot Galleries
Berthe Morisot (January 14, 1841 ?C March 2, 1895) was a painter and a member of the circle of painters in Paris who became known as the Impressionists. Undervalued for over a century, possibly because she was a woman, she is now considered among the first league of Impressionist painters.
In 1864, she exhibited for the first time in the highly esteemed Salon de Paris. Sponsored by the government, and judged by academicians, the Salon was the official, annual exhibition of the Acad??mie des beaux-arts in Paris. Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the "rejected" Impressionists in the first of their own exhibitions, which included Paul C??zanne, Edgar Degas, Claude Monet, Morisot, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley. It was held at the studio of the photographer Nadar.
She became the sister-in-law of her friend and colleague, Édouard Manet, when she married his brother, Eugene.
Related Paintings of Berthe Morisot :. | woman at her toilette | Cornfield | The woman and children are in the park | Juliy and biddy | Grain field |
was the name of a dynasty of painters, originally from French Flanders but the most famous descendants lived in Lille and Paris in France. They were all descendants from Joris van Blarenberghe (1612-1670).
The first two painters were Hendrick van Blarenberghe (1646-1712) and his son Jacques-Guillaume van Blarenberghe (1679-1742). Their style was still heavily influenced by the Flemish Baroque style. Jacques-Guillaume had two painting sons, Louis-Nicolas Van Blarenberghe (15 July 1716 - 1 May 1794) and Henri Desire van Blarenberghe (1734-1812).
Louis-Nicolas had a son who was also a painter and with who he often collaborated: Henri-Joseph van Blarenberghe (24 November 1750 - 1 December 1826). Together with his father, they stayed at the Palace of Versailles, where they worked as miniaturists for the high society of their day. They were especially famous for their paintings on snuff boxes. Louis-Nicolas also worked as official campaign painter of the French court, following the French army as a war reporter. Two of his daughters, Catherine-Henriette and Isabelle, were chamber maids to the children of the French kings. The works of Louis-Nicolas and Henri-Joseph were collected in profusion in the 19th century by the Rothschild family. There is a collection of their work on public display at Waddesdon Manor.
Henri-Joseph painted, besides the miniatures, mainly Panoramic paintings, often in gouache. The subjects were, as with his father, often military, and also included the French revolution.Theo van Doesburg
Dutch painter, architect, designer and writer. He was officially registered as the son of Wilhelm Kepper and Henrietta Catharina Margadant, but he was so convinced that his mother second husband, Theodorus Doesburg, was his father that he took his name. Little is known of his early life, but he began painting naturalistic subjects c. 1899. In 1903 he began his military service, and around the same time he met his first wife, Agnita Feis, a Theosophist and poet. Between about 1908 and 1910, much influenced by the work of Honor Daumier, he produced caricatures, some of which were later published in his first book De maskers af! (1916). Also during this period he painted some Impressionist-inspired landscapes and portraits in the manner of George Hendrik Breitner. Between 1914 and 1915 the influence of Kandinsky became clear in such drawings as Streetmusic I and Streetmusic II (The Hague, Rijksdienst Beeld. Kst) and other abstract works.Xanthus Russell Smith
Marine, landscape, portrait, and historical painter.
American , 1839-1929
was an American artist best known for his illustrations of the American Civil War. Born in Philadelphia, Smith served in the United States Navy during the war and depicted naval battles with a variety of media, including pencil and oil paint. His best known work (right) recreates the 1864 battle between the CSS Alabama and USS Kearsarge off Cherbourg, France. Smith did not actually participate in most of the battles he illustrated; instead, he generally consulted those who were present at the engagements.